人美版（2019） 高中美术 2.1 程式与意蕴——中国传统绘画（万壑松风图）课件（共17张PPT）

(共17张PPT)
万壑松风图
中国画（轴）绢本设色 188.6cm X139.8cm 李唐 南宋 台北故宫博物院
目录
作品简介
作者简介
表达思想
作品赏析
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The beijing-shanghai high-speed railway, which runs between Beijing and Shanghai and through many central cities along the
The beijing-shanghai high-speed railway, which runs between Beijing and Shanghai and through many central cities along the
The beijing-shanghai high-speed railway, which runs between Beijing and Shanghai and through many central cities along the
The beijing-shanghai high-speed railway, which runs between Beijing and Shanghai and through many central cities along the
作品简介
The beijing-shanghai high-speed railway, which runs between Beijing and Shanghai and through many central cities along the route, is increasingly unable to meet the demand of high passenger flow, and it is often difficult to get a ticket during holidays. Therefore, the construction of a second high-
作品简介
《万壑松风图》款识题于远峰上:"皇宋宣和甲辰春，河阳李唐笔。"可知作于一一二四年，其时李唐约六十岁左右，是南渡前的作品。
画面山峰高峙，山石巉岩，峭壁悬崖间有飞瀑鸣泉，山腰间白云缭绕清岚浮动。从山麓至山巅，松林高密，郁郁葱葱。山脚下乱石珠连，水流奔涌。大自然雄壮之气扑面而来，给人以气势磅礴的感觉。
李唐布局中取近景，突出主峰和崖岸，以造成迫在眉睫的视觉感受。山石皴法，融合了李成、范宽、郭熙诸家技巧，用多种皴法表现不同的石质，如主峰，上端用长钉皴刮铁皴，中部偶尔参以解索皴;在山腰以下使用独创的马牙皴。此外还可以看出其后来创造出小斧劈、大斧劈的雏型。对皴法的运用是李唐在此图中的最大特点，对后世造成了极大的影响。
斧劈皴是唐李思训所创之勾斫方法，笔线遒劲，运笔多顿挫曲折，有如刀砍斧劈，故称为斧劈皴，这种皱法宜于表现质地坚硬、棱角分明的岩石。唐代的青绿山水多勾所而少破染。南宋的山水画家以斧劈披用于水墨山水，加重了披染，出现水墨苍劲的风格，画斧劈披常用中锋勾勒山石轮廓，而以侧锋横刮之笔画出皱纹，再用淡墨渲染。笔线细劲的称小斧劈，笔线粗阔的称大斧劈。
万壑松风图是李唐在北宋画院时的作品。这一幅画在主峰旁边的远山上，题有「皇宋宣和甲辰春河阳李唐笔」。甲辰是宋宣和六年(1124)，李唐已经步入58岁高龄。尽管如此，画中表现的山石仍然是雷霆万钧的阳刚力量。画上的插云尖峰。冈峦、峭壁，好像斧头刚刚凿过，对一片石质的山，表现山特别坚硬的感觉。
此画是宋高宗南渡前较晚的李氏山水的代表作，与郭熙《早春图》、范宽《溪山行旅图》，历来被称作宋画之三大精品。
郭熙《早春图》
作品赏析
该图绘江南烟岚松涛，矾头重叠;深谷里清泉奔涌，溪畔浓荫森森;沿着曲折的山脊，是一片片浓密的松林，"丰"字形的松树随风摇曳，似乎能使观者感受到阵阵湿润的凉风扑面而来;沟壑里聚起团团云雾，缓缓地向上升腾;山瀑下置一水磨磨坊，溪上架一木桥，在这世外桃源里留下人间烟火。松树，长在山谷溪石旁边，根部裸露变化，稳稳抓住地面、石缝，暗示它有一种旺盛的生长的生命力。
《万壑松风图》将款落在石柱内，远观或误以为皴笔。 画面绘长松深壑，主峰耸峙，岩石壁立，山泉奔流。画家虽采用北宋山水作品的全景式构图，便取景的视点已拉得较近，用质实坚重的大斧劈皴表现岩石的方峻峭硬，加之用墨浓重，很好地表现出山水的壮美，给人以很强的视觉震撼。画上署有皇宋宣和甲辰春河阳李唐笔隶书款。
作者简介
The beijing-shanghai high-speed railway, which runs between Beijing and Shanghai and through many central cities along the route, is increasingly unable to meet the demand of high passenger flow, and it is often difficult to get a ticket during holidays. Therefore, the construction of a second high-
李唐(1066-1150)，字晞古，河阳三城(今河南孟县)人。北宋末南宋初画家。初以卖画为生，徽宗赵佶(1100-1125)朝补入画院。高宗南渡，李唐亦流亡至临安(今杭州)，以成忠郎衔任画院待诏。擅画山水，变荆浩、范宽之法，用峭劲的笔墨，写出山川雄峻的气势。晚年去繁就简，创"大斧劈"皴，所画石质坚硬，立体感强。
表达思想
The beijing-shanghai high-speed railway, which runs between Beijing and Shanghai and through many central cities along the route, is increasingly unable to meet the demand of high passenger flow, and it is often difficult to get a ticket during holidays. Therefore, the construction of a second high-
《万壑松风图》将款落在石柱内，远观或误以为皴笔。 宋之前的画几乎无落款。北宋初开始落款，尚不普遍。这在中国绘画史上是汉字进入画面的开始，是书法进入绘画领域的前奏。在本幅画面中可以看到紧紧抓地的松树，特别坚硬的石头，虽然李唐绘画这幅画时58岁高龄，但是可以看出这种积极向上，蓬勃的生命力。
谢谢观看