新闻改编语法填空2025.10（三）练习（含答案）-2026届高三英语上学期一轮复习专项
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| 名称 | 新闻改编语法填空2025.10（三）练习（含答案）-2026届高三英语上学期一轮复习专项 |  | |
| 格式 | docx | ||
| 文件大小 | 22.3KB | ||
| 资源类型 | 教案 | ||
| 版本资源 | 人教版（2019） | ||
| 科目 | 英语 | ||
| 更新时间 | 2025-10-29 22:28:07 | ||
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2025年10月新闻改编语法填空练习3
2025.10.06 Dong Qing, a teacher in the UK who has spent several years organizing summer programs for visiting Chinese students, offers valuable 1._________(insight) into the benefits and challenges that these programs often present.
"I have witnessed both the growth and challenges the Chinese students experience in a foreign environment," she said. "While summer schools are 2.__________(high) popular, the actual benefits vary greatly among participants. The key difference lies in 3.__________ students are willing to step out of their comfort zones and fully embrace this invaluable international opportunity."
While some students made remarkable progress, many tended 4.__________(stay) within familiar social circles, mainly 5.____________(interact) with peers from China. 6.__________ this provided emotional comfort, it often limited their ability to engage more broadly.
The true value of a summer school lies 7._____ engaging with diverse cultures. Those who actively interacted with students from other countries and participated in discussions 8.__________(show) real progress. Others remained reserved or distracted, particularly because of their smartphones, 9.__________ lowered the overall quality of their summer school experience.
To counter this, Dong recommended that measures such as setting "phone-free hours" 10._____________(take) to help students stay present and engaged. Equally important is the need to better integrate classroom learning with real-world exploration.
"Though summer schools are short-term, their impact can be long-lasting," Dong said. "But only by encouraging communication, managing smartphone use wisely and connecting lessons with reallife experiences can students transform this opportunity into lifelong personal and academic growth."
2025.10.11 A Shanghai exhibition reveals the ocean's wonders 1._____ inland students, blending art, science and environmental awareness.
Tang Linxi, 12, together with her friend Yang Yunyi, 10, 2.__________(sit) quietly before a screen, watching a documentary about industrial pollution of the oceans. "In my dreams, the ocean is a dwelling place for living creatures, clear, boundless and free. 3.__________, when I see videos of 4.how humans have polluted it, I feel sad for the fish and long even more 5.__________(see) it in person," says Linxi.
Her friend, Yunyi, nods in agreement. "I have seen streams, small rivers and lakes, but I have never seen the ocean. I imagine it stretching endlessly, powerful and free. It always fills me with 6.__________(long). We should do something to protect it from pollution."
Linxi and Yunyi are among a group of elementary school students from Rongjiang county, Southwest China's Guizhou province, far away from any coastline. They are visiting Shanghai for the first time to experience The Ocean & Climate Village, 7._____ immersive and interactive science exhibition 8.__________(design) to help children understand the ocean and the environmental challenges 9._____ faces.
Throughout their stay, the students will learn marine science through hands-on workshops tailored for children from 6 to 16. They will explore the diversity of marine life, study the threats of pollution and 10.__________(rise) sea levels, and participate in activities that blend art and science.
2025.10.06 In the early morning, before the opening of the Palace Museum, also known 1._____ the Forbidden City, the shutters（百叶窗）roll up one by one in the basement of the Wangfu Century Building, about 800 meters from Donghuamen of the Palace Museum. Hundreds of beautifully 2.__________(design) traditional costumes and makeup tools in the shops await customers eager 3.__________(try) traditional Chinese styling.
In recent years, the revival of traditional culture, known as Guochao or "Chinachic", 4.__________(lead) a new trend among young people: immersive experiences in traditional attire(服饰). The Wangfu Century Building and its surrounding areas have become a center for such experiences, 5.__________ visitors can get a fast-paced transformation, especially the styling of gege, princesses of the Qing Dynasty. The dressed-up visitors can walk through Beijing's modern buildings and take photos at various scenic spots.
Yu Qian, head of the China Tourist Attractions Association, remarked, "The trend of gege makeup and attire has not only boosted related services, including makeup and photography, 6.__________ offered young people an immersive experience of role-playing."
7.__________, many visitors have reported issues such as poor service experiences and a lack of transparency(透明性) 8._____ the consumption process. 9.__________(complaint) often focus on areas such as inadequate standardization in makeup procedures, lack of personalized services, shared makeup tools 10.__________(cause) skin allergies, poor photography skills, and hidden costs or consumption traps.
"Tourists are willing to pay for cultural experiences, and tourist sites should provide the necessary knowledge and services," Yu emphasized.
2025.10.27 Late ink artist Qi Baishi (1864-1957) 1._______________(rise) from humble beginnings（出身微贱） as a painter and carpenter in rural Hunan province, to become a celebrated figure in Beijing's art circles. 2._______________(experience) firsthand the hardships that artists face, Qi was known for sharing this knowledge with younger artists who came to him for 3.__________(guide).
This December, the Fine Art Research Exhibition of Qi Baishi and his Shandong Disciples will open at Shandong Art Museum in Jinan, showcasing a blend of artworks 4._____ digital installations. The exhibition will explore the influence 5._____ Qi's work had in Shandong through his mentorship of several renowned disciples（门徒） from or connected to the province — Li Kuchan (1899-1983), Wang Xuetao (1903-82), Cui Zifan (1915-2011), and Xu Linlu (1916-2011), 6._____ are all famous artists.
The exhibition is a highlight of a 7.__________(new) launched culture and tourism integration program, "Qi Baishi in Shandong", initiated by Shandong's provincial government and Beijing Fine Art Academy.
In addition, several other exhibitions will take place throughout April in Jinan, Qingdao and Yantai art galleries named 8._____ Qi's four disciples, 9._____________(highlight) their individual contributions to Shandong's art scene.
Beyond the art world, the initiative also aims to enhance tourism by inviting visitors 10._______________(experience) the province's rich cultural heritage, scenic coastlines and celebrated culinary traditions.
新闻原文及答案
2025.10.06 Dong Qing, a teacher in the UK who has spent several years organizing summer programs for visiting Chinese students, offers valuable 1.insights into the benefits and challenges that these programs often present.
"I have witnessed both the growth and challenges the Chinese students experience in a foreign environment," she said. "While summer schools are 2.highly popular, the actual benefits vary greatly among participants. The key difference lies in 3.whether students are willing to step out of their comfort zones and fully embrace this invaluable international opportunity."
While some students made remarkable progress, many tended 4.to stay within familiar social circles, mainly 5.interacting with peers from China. 6.Although this provided emotional comfort, it often limited their ability to engage more broadly.
The true value of a summer school lies 7.in engaging with diverse cultures. Those who actively interacted with students from other countries and participated in discussions 8.showed real progress. Others remained reserved or distracted, particularly because of their smartphones, 9.which lowered the overall quality of their summer school experience.
To counter this, Dong recommended that measures such as setting "phone-free hours" 10.should be taken to help students stay present and engaged. Equally important is the need to better integrate classroom learning with real-world exploration.
"Though summer schools are short-term, their impact can be long-lasting," Dong said. "But only by encouraging communication, managing smartphone use wisely and connecting lessons with reallife experiences can students transform this opportunity into lifelong personal and academic growth."
2025.10.11 A Shanghai exhibition reveals the ocean's wonders 1.to inland students, blending art, science and environmental awareness.
Tang Linxi, 12, together with her friend Yang Yunyi, 10, 2.sits quietly before a screen, watching a documentary about industrial pollution of the oceans. "In my dreams, the ocean is a dwelling place for living creatures, clear, boundless and free. 3.However, when I see videos of 4.how humans have polluted it, I feel sad for the fish and long even more 5.to see it in person," says Linxi.
Her friend, Yunyi, nods in agreement. "I have seen streams, small rivers and lakes, but I have never seen the ocean. I imagine it stretching endlessly, powerful and free. It always fills me with 6.longing. We should do something to protect it from pollution."
Linxi and Yunyi are among a group of elementary school students from Rongjiang county, Southwest China's Guizhou province, far away from any coastline. They are visiting Shanghai for the first time to experience The Ocean & Climate Village, 7.an immersive and interactive science exhibition 8.designed to help children understand the ocean and the environmental challenges 9.it faces.
Throughout their stay, the students will learn marine science through hands-on workshops tailored for children from 6 to 16. They will explore the diversity of marine life, study the threats of pollution and 10.rising sea levels, and participate in activities that blend art and science.
2025.10.06 In the early morning, before the opening of the Palace Museum, also known 1.as the Forbidden City, the shutters（百叶窗）roll up one by one in the basement of the Wangfu Century Building, about 800 meters from Donghuamen of the Palace Museum. Hundreds of beautifully 2.designed traditional costumes and makeup tools in the shops await customers eager 3.to try traditional Chinese styling.
In recent years, the revival of traditional culture, known as Guochao or "Chinachic", 4.has led a new trend among young people: immersive experiences in traditional attire(服饰). The Wangfu Century Building and its surrounding areas have become a center for such experiences, 5.where visitors can get a fast-paced transformation, especially the styling of gege, princesses of the Qing Dynasty. The dressed-up visitors can walk through Beijing's modern buildings and take photos at various scenic spots.
Yu Qian, head of the China Tourist Attractions Association, remarked, "The trend of gege makeup and attire has not only boosted related services, including makeup and photography, 6.but also offered young people an immersive experience of role-playing."
7.However, many visitors have reported issues such as poor service experiences and a lack of transparency(透明性) 8.in the consumption process. 9.Complaints often focus on areas such as inadequate standardization in makeup procedures, lack of personalized services, shared makeup tools 10.causing skin allergies, poor photography skills, and hidden costs or consumption traps.
"Tourists are willing to pay for cultural experiences, and tourist sites should provide the necessary knowledge and services," Yu emphasized.
2025.10.27 Late ink artist Qi Baishi (1864-1957) 1.rose(rise) from humble beginnings（出身微贱） as a painter and carpenter in rural Hunan province, to become a celebrated figure in Beijing's art circles. 2.Having experienced(experience) firsthand the hardships that artists face, Qi was known for sharing this knowledge with younger artists who came to him for 3.guidance(guide).
This December, the Fine Art Research Exhibition of Qi Baishi and his Shandong Disciples will open at Shandong Art Museum in Jinan, showcasing a blend of artworks 4.and digital installations. The exhibition will explore the influence 5.that Qi's work had in Shandong through his mentorship of several renowned disciples（门徒） from or connected to the province — Li Kuchan (1899-1983), Wang Xuetao (1903-82), Cui Zifan (1915-2011), and Xu Linlu (1916-2011), 6.who are all famous artists.
The exhibition is a highlight of a 7.newly(new) launched culture and tourism integration program, "Qi Baishi in Shandong", initiated by Shandong's provincial government and Beijing Fine Art Academy.
In addition, several other exhibitions will take place throughout April in Jinan, Qingdao and Yantai art galleries named 8.after Qi's four disciples, 9.highlighting(highlight) their individual contributions to Shandong's art scene.
Beyond the art world, the initiative also aims to enhance tourism by inviting visitors 10.to experience(experience) the province's rich cultural heritage, scenic coastlines and celebrated culinary traditions.
2025.10.06 Dong Qing, a teacher in the UK who has spent several years organizing summer programs for visiting Chinese students, offers valuable 1._________(insight) into the benefits and challenges that these programs often present.
"I have witnessed both the growth and challenges the Chinese students experience in a foreign environment," she said. "While summer schools are 2.__________(high) popular, the actual benefits vary greatly among participants. The key difference lies in 3.__________ students are willing to step out of their comfort zones and fully embrace this invaluable international opportunity."
While some students made remarkable progress, many tended 4.__________(stay) within familiar social circles, mainly 5.____________(interact) with peers from China. 6.__________ this provided emotional comfort, it often limited their ability to engage more broadly.
The true value of a summer school lies 7._____ engaging with diverse cultures. Those who actively interacted with students from other countries and participated in discussions 8.__________(show) real progress. Others remained reserved or distracted, particularly because of their smartphones, 9.__________ lowered the overall quality of their summer school experience.
To counter this, Dong recommended that measures such as setting "phone-free hours" 10._____________(take) to help students stay present and engaged. Equally important is the need to better integrate classroom learning with real-world exploration.
"Though summer schools are short-term, their impact can be long-lasting," Dong said. "But only by encouraging communication, managing smartphone use wisely and connecting lessons with reallife experiences can students transform this opportunity into lifelong personal and academic growth."
2025.10.11 A Shanghai exhibition reveals the ocean's wonders 1._____ inland students, blending art, science and environmental awareness.
Tang Linxi, 12, together with her friend Yang Yunyi, 10, 2.__________(sit) quietly before a screen, watching a documentary about industrial pollution of the oceans. "In my dreams, the ocean is a dwelling place for living creatures, clear, boundless and free. 3.__________, when I see videos of 4.how humans have polluted it, I feel sad for the fish and long even more 5.__________(see) it in person," says Linxi.
Her friend, Yunyi, nods in agreement. "I have seen streams, small rivers and lakes, but I have never seen the ocean. I imagine it stretching endlessly, powerful and free. It always fills me with 6.__________(long). We should do something to protect it from pollution."
Linxi and Yunyi are among a group of elementary school students from Rongjiang county, Southwest China's Guizhou province, far away from any coastline. They are visiting Shanghai for the first time to experience The Ocean & Climate Village, 7._____ immersive and interactive science exhibition 8.__________(design) to help children understand the ocean and the environmental challenges 9._____ faces.
Throughout their stay, the students will learn marine science through hands-on workshops tailored for children from 6 to 16. They will explore the diversity of marine life, study the threats of pollution and 10.__________(rise) sea levels, and participate in activities that blend art and science.
2025.10.06 In the early morning, before the opening of the Palace Museum, also known 1._____ the Forbidden City, the shutters（百叶窗）roll up one by one in the basement of the Wangfu Century Building, about 800 meters from Donghuamen of the Palace Museum. Hundreds of beautifully 2.__________(design) traditional costumes and makeup tools in the shops await customers eager 3.__________(try) traditional Chinese styling.
In recent years, the revival of traditional culture, known as Guochao or "Chinachic", 4.__________(lead) a new trend among young people: immersive experiences in traditional attire(服饰). The Wangfu Century Building and its surrounding areas have become a center for such experiences, 5.__________ visitors can get a fast-paced transformation, especially the styling of gege, princesses of the Qing Dynasty. The dressed-up visitors can walk through Beijing's modern buildings and take photos at various scenic spots.
Yu Qian, head of the China Tourist Attractions Association, remarked, "The trend of gege makeup and attire has not only boosted related services, including makeup and photography, 6.__________ offered young people an immersive experience of role-playing."
7.__________, many visitors have reported issues such as poor service experiences and a lack of transparency(透明性) 8._____ the consumption process. 9.__________(complaint) often focus on areas such as inadequate standardization in makeup procedures, lack of personalized services, shared makeup tools 10.__________(cause) skin allergies, poor photography skills, and hidden costs or consumption traps.
"Tourists are willing to pay for cultural experiences, and tourist sites should provide the necessary knowledge and services," Yu emphasized.
2025.10.27 Late ink artist Qi Baishi (1864-1957) 1._______________(rise) from humble beginnings（出身微贱） as a painter and carpenter in rural Hunan province, to become a celebrated figure in Beijing's art circles. 2._______________(experience) firsthand the hardships that artists face, Qi was known for sharing this knowledge with younger artists who came to him for 3.__________(guide).
This December, the Fine Art Research Exhibition of Qi Baishi and his Shandong Disciples will open at Shandong Art Museum in Jinan, showcasing a blend of artworks 4._____ digital installations. The exhibition will explore the influence 5._____ Qi's work had in Shandong through his mentorship of several renowned disciples（门徒） from or connected to the province — Li Kuchan (1899-1983), Wang Xuetao (1903-82), Cui Zifan (1915-2011), and Xu Linlu (1916-2011), 6._____ are all famous artists.
The exhibition is a highlight of a 7.__________(new) launched culture and tourism integration program, "Qi Baishi in Shandong", initiated by Shandong's provincial government and Beijing Fine Art Academy.
In addition, several other exhibitions will take place throughout April in Jinan, Qingdao and Yantai art galleries named 8._____ Qi's four disciples, 9._____________(highlight) their individual contributions to Shandong's art scene.
Beyond the art world, the initiative also aims to enhance tourism by inviting visitors 10._______________(experience) the province's rich cultural heritage, scenic coastlines and celebrated culinary traditions.
新闻原文及答案
2025.10.06 Dong Qing, a teacher in the UK who has spent several years organizing summer programs for visiting Chinese students, offers valuable 1.insights into the benefits and challenges that these programs often present.
"I have witnessed both the growth and challenges the Chinese students experience in a foreign environment," she said. "While summer schools are 2.highly popular, the actual benefits vary greatly among participants. The key difference lies in 3.whether students are willing to step out of their comfort zones and fully embrace this invaluable international opportunity."
While some students made remarkable progress, many tended 4.to stay within familiar social circles, mainly 5.interacting with peers from China. 6.Although this provided emotional comfort, it often limited their ability to engage more broadly.
The true value of a summer school lies 7.in engaging with diverse cultures. Those who actively interacted with students from other countries and participated in discussions 8.showed real progress. Others remained reserved or distracted, particularly because of their smartphones, 9.which lowered the overall quality of their summer school experience.
To counter this, Dong recommended that measures such as setting "phone-free hours" 10.should be taken to help students stay present and engaged. Equally important is the need to better integrate classroom learning with real-world exploration.
"Though summer schools are short-term, their impact can be long-lasting," Dong said. "But only by encouraging communication, managing smartphone use wisely and connecting lessons with reallife experiences can students transform this opportunity into lifelong personal and academic growth."
2025.10.11 A Shanghai exhibition reveals the ocean's wonders 1.to inland students, blending art, science and environmental awareness.
Tang Linxi, 12, together with her friend Yang Yunyi, 10, 2.sits quietly before a screen, watching a documentary about industrial pollution of the oceans. "In my dreams, the ocean is a dwelling place for living creatures, clear, boundless and free. 3.However, when I see videos of 4.how humans have polluted it, I feel sad for the fish and long even more 5.to see it in person," says Linxi.
Her friend, Yunyi, nods in agreement. "I have seen streams, small rivers and lakes, but I have never seen the ocean. I imagine it stretching endlessly, powerful and free. It always fills me with 6.longing. We should do something to protect it from pollution."
Linxi and Yunyi are among a group of elementary school students from Rongjiang county, Southwest China's Guizhou province, far away from any coastline. They are visiting Shanghai for the first time to experience The Ocean & Climate Village, 7.an immersive and interactive science exhibition 8.designed to help children understand the ocean and the environmental challenges 9.it faces.
Throughout their stay, the students will learn marine science through hands-on workshops tailored for children from 6 to 16. They will explore the diversity of marine life, study the threats of pollution and 10.rising sea levels, and participate in activities that blend art and science.
2025.10.06 In the early morning, before the opening of the Palace Museum, also known 1.as the Forbidden City, the shutters（百叶窗）roll up one by one in the basement of the Wangfu Century Building, about 800 meters from Donghuamen of the Palace Museum. Hundreds of beautifully 2.designed traditional costumes and makeup tools in the shops await customers eager 3.to try traditional Chinese styling.
In recent years, the revival of traditional culture, known as Guochao or "Chinachic", 4.has led a new trend among young people: immersive experiences in traditional attire(服饰). The Wangfu Century Building and its surrounding areas have become a center for such experiences, 5.where visitors can get a fast-paced transformation, especially the styling of gege, princesses of the Qing Dynasty. The dressed-up visitors can walk through Beijing's modern buildings and take photos at various scenic spots.
Yu Qian, head of the China Tourist Attractions Association, remarked, "The trend of gege makeup and attire has not only boosted related services, including makeup and photography, 6.but also offered young people an immersive experience of role-playing."
7.However, many visitors have reported issues such as poor service experiences and a lack of transparency(透明性) 8.in the consumption process. 9.Complaints often focus on areas such as inadequate standardization in makeup procedures, lack of personalized services, shared makeup tools 10.causing skin allergies, poor photography skills, and hidden costs or consumption traps.
"Tourists are willing to pay for cultural experiences, and tourist sites should provide the necessary knowledge and services," Yu emphasized.
2025.10.27 Late ink artist Qi Baishi (1864-1957) 1.rose(rise) from humble beginnings（出身微贱） as a painter and carpenter in rural Hunan province, to become a celebrated figure in Beijing's art circles. 2.Having experienced(experience) firsthand the hardships that artists face, Qi was known for sharing this knowledge with younger artists who came to him for 3.guidance(guide).
This December, the Fine Art Research Exhibition of Qi Baishi and his Shandong Disciples will open at Shandong Art Museum in Jinan, showcasing a blend of artworks 4.and digital installations. The exhibition will explore the influence 5.that Qi's work had in Shandong through his mentorship of several renowned disciples（门徒） from or connected to the province — Li Kuchan (1899-1983), Wang Xuetao (1903-82), Cui Zifan (1915-2011), and Xu Linlu (1916-2011), 6.who are all famous artists.
The exhibition is a highlight of a 7.newly(new) launched culture and tourism integration program, "Qi Baishi in Shandong", initiated by Shandong's provincial government and Beijing Fine Art Academy.
In addition, several other exhibitions will take place throughout April in Jinan, Qingdao and Yantai art galleries named 8.after Qi's four disciples, 9.highlighting(highlight) their individual contributions to Shandong's art scene.
Beyond the art world, the initiative also aims to enhance tourism by inviting visitors 10.to experience(experience) the province's rich cultural heritage, scenic coastlines and celebrated culinary traditions.